Ten clips from one recording.
Harvest turns one long recording into ranked short clips. It reads the full transcript, finds self-contained moments with a hook and a payoff, cuts each one on frame-snapped boundaries, reframes it to 9:16 around your face, captions it in your style, and queues it to the calendar. You approve; it posts.
What does Harvest actually do?
One 12-minute recording usually holds eight to twelve publishable moments. Finding them by hand means re-watching everything — the single largest line in the 338-hour editing tax. Harvest reads the transcript once, scores every candidate segment for hook strength and self-containment, and cuts the winners into vertical clips with your caption preset applied.
Each clip inherits the full editing pass: last-take selection when you repeated a line, filler and dead-air removal, frame-snapped cut boundaries so captions stay on-beat, and a measured 9:16 reframe that keeps your face where it belongs.
Who is this for?
Anyone whose recordings outlive one post: podcasters clipping episodes, founders turning one weekly video into a daily presence, agencies tripling output per editor. If you record once a week, Harvest is the difference between one asset and thirty-one.
Try it on your own footage — free
Read the transcript
Ten clips from one recording. Harvest turns one long recording into ranked short clips. It reads the full transcript, finds self-contained moments with a hook and a payoff, cuts each one on frame-snapped boundaries, reframes it to 9:16 around your face, captions it in your style, and queues it to the calendar. You approve; it posts.
Frequently asked questions
How does Harvest choose which moments become clips?
By structure, not keywords: a moment must open with a hook, resolve inside its own runtime, and survive being watched with no context. Candidates are ranked, and the ranking learns from which of your clips actually performed.
How is this different from Opus Clip or Vizard?
Two ways: the clip is a real edit (filler removed, cuts frame-snapped, audio crossfaded — not a subclip with captions), and the pipeline doesn't stop at the file — clips land scheduled on the calendar. See Never vs. Opus Clip for the full comparison.
Can I adjust a clip it picked?
Yes — every clip is an EDL you can retime, or export to Premiere/CapCut with each cut intact. You are never handed a flat file as the only artifact.